Blue Light Murder, by Ron Cannon

Blue Light Murder

by Ron Cannon

supported by

block35 One of the best albums in the genre and a true classic! Favorite track: Future Kill.

Matthew Toye Ron Cannon's debut is the soundtrack to a horror movie that never existed. His synths are easily the most genuine sounding out the of the bunch, and the minimalistic approach is beyond superb. Favorite track: Unsafe.

sean faunce Super dope shit Ron Cannon. Very omniscient and alluring. Favorite track: Future Kill.

Creed H. Quinn Best Horror synth album available.

Ron Cannon captures the 80's feel of horror and slasher films from the decade and pays beautiful tribute to them and their great original composers.

A must buy for all Retro synth and horror synth lovers alike. Favorite track: Last Exit.

EndLevelBoss Get our your Jason & Michael Meyers Masks, Freddy Claws, and Chucky Doll. It's time to take a stroll through a haunted mansion of 80s horror and this is the soundtrack! Favorite track: Blue Light Murder.

MCAL - FE As spooky, suspenseful and beautifully vintage as any synthwave/horror synth release I've heard. It's as if an early-80's slasher film that was too weird, too terrifying and too controversial for public consumption was recently unbanned by the government and finally released in all its uncensored glory. This album would be the score to that film. Fantastic. Favorite track: Last Exit.

more...

	/

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

$4 USD or more
Blue Light Murder // Cassette
Cassette + Digital Album
A classic synthwave horror album now on rad looking cassette!

‣ Packed with external cover
‣ Jcard with prints on both sides.
‣ Blue petrol cassette with sticker on tape.

Includes unlimited streaming of Blue Light Murder via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Sold Out

1.	Opening 03:44	buy track
2.	Nightmare City 02:53	buy track
3.	Blue Light Murder 03:41	buy track
4.	The Lonely 01:30	buy track
5.	Back There 03:05	buy track
6.	Future Kill 04:52	buy track
7.	Last Exit 03:49	buy track
8.	Unsafe 04:55	buy track
9.	Midnight (End Credits) 01:45	buy track

about

Synthetix.fm - "After settling in for the night with the lights low, the winds howling and the atmosphere primed; I give Ron Cannon's 'Blue Light Murder' a spin and take a ride back to the early 80s, making a detour via Camp Crystal Lake and Elm Street, with sightseeing narration by John Carpenter. Blue Light's greatest feature and most immediately noticeable is its authenticity, both in its efficient minimalism and sparse, haunting soundscapes.

'Opening' sets a dark scene of street lights and deserted neighbourhoods, slow and methodical synths pulse calmly as the sounds build, thicken and layer into a collection of textures that Cannon stays true to throughout the album. The textures vary from the pleasantly familiar pulsing basslines that are a staple of the synthwave genre, to analogue insanity as Cannon's abstract scary moments grind and scream out of what sounds like authentic hardware.

Cannon sticks to his guns as the album moves on, effectively scoring a horror movie that was too dark to ever see the light of release. This is where the release shines above others in its field; it has a goal, it has a concept, and it rigidly sticks to it. It makes for a few predictable moments toward the end of the album.

'Back There' and 'Future Kill' land exactly where a viewer would expect the pace to heighten in a horror movie of this era. But where Cannon knows to let his chase scenes come in, he knows how to throw a curve ball in and catch us unawares with 'Back There' moving into a beautiful synthscape that fits right in with the rest of the album, but stands out, showing that Cannon is a man that could score for other films cooked up in his imagination outside of the horror arena.

Ron unapologetically takes his time with his slower, more brooding tracks. 'The Lonely' is a great gear shift into something much more delicate and although it clocks in at just under 2 minutes, compliments a scene that'd give its characters a chance to catch their breaths. 'Last Exit' brings the album near to the end as frantic breathing holds the pace of the track as the now-familiar synth patterns swirl and dance around it.

Cannon knows his stuff, that much is obvious, as he effortlessly picks apart soundtrack elements from Friday The 13th and The Fog, and makes them his own. 'Unsafe' feels like the single of the album, something that wouldn't suffer from having vocals added to it, but doesn't feel lacking in any way. The album closes much as it began with 'Midnight', which as I mentioned earlier is where Ron Cannon has excelled; by sticking to his palette and remaining consistent."

credits

released June 13, 2014

Ron Cannon Facebook *FAN* Page!
www.facebook.com/pages/Ron-Cannon/171993616311708
Instagram: instagram.com/roncannonmusic/

license

about

Future 80's Records UK

FUTURE 80's RECORDS promotes Synthwave / Retro Electro / Dreamwave / /Spacesynth artists.

The music of tomorrow created in a retro manner. Briefly is Future 80's.

Recommendations

contact / help

Contact Future 80's Records

Streaming and
Download help

Redeem code

Report this album or account

Future 80's Records recommends:

Savage Summer
by Robots With Rayguns

Fresh & sweet summer tunes by one of the best in the retroscene, Robots With Rayguns! Good mood guaranteed! Future 80's Records
go to album

If you like Blue Light Murder, you may also like:

Evil Technology
by VHS Glitch

supported by 68 fans who also own “Blue Light Murder”

↪ (darksynth / 2014 / Japan // ) Cheveu Miracle
go to album
The Uncanny Valley
by PERTURBATOR

supported by 65 fans who also own “Blue Light Murder”

Just fantastic, great for setting the mood while writing sci-fi. I can't recommend it enough!! moronokimi
go to album
Dangerous Days
by PERTURBATOR

supported by 61 fans who also own “Blue Light Murder”

This entire album is a full modern take on John Carpenter, from the transient energy to lulls in the rhythm that don't quite dispel the notion that an encounter is on the horizon. ChronoTango
go to album
Omniversal Oscillations
by STARFORCE

featured on Bandcamp Weekly Dec 31, 2013
go to album
The Uncanny Valley
by PERTURBATOR

A deep synthwave trip into a blighted neon dystopia where androids and doomsday cults wreak havoc. Flashy, imaginative work from James Kent. Bandcamp New & Notable May 5, 2016
go to album

Bandcamp Daily your guide to the world of Bandcamp

On Bandcamp Radio

Featuring guests Duval Timothy and Liv.e

listen now